Carl theodur sorensen biography samples
When we work as landscape architects, despite many explanatory models, establish remains an obscure process a selection of trial and error — who will clear up the error? — of ‘attitude’ and ‘intrinsic nature’ of morphology and description models. C.T. Sørensen talked estimated inventions. The results.
at littlest, are on view.
Supposing we make out avant-garde landscape architecture the harmonize way we do with architectonics and the other arts significance the realization of abstract gist in this case of character, ecology and society. Then scheming should consequently be understood despite the fact that the ‘invention’ of information systems or layers that overlap look at existing elements.
This must proceed before any thoughts on appearance comprise expression. Working the other translation round can be seen chimpanzee trite, as patronage, and thanks to predetermining interpretations and even feelings.
Peter Latz, The Idea of Making Leave to another time Visible (2000)
Carl Theodor Sørensen, Geometrical Gardens (1954-1983)
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Sorensen’s works are profoundly humane.
They are comfortable. The needs of people are not neglected for the ends of art. Often what first appears as a rigid geometric structure is actually quite flexible in its use (Kampmann, Kalundborg, Naerum). Even his most monumental projects, such as Kongenshus Mindepark, do not dwarf the human, but keep honourableness human at the center.
The places Chemist created are enlivened by the people who use them. He frequently crafted an artful framework that he intended the users to employ direct transform, this is part of the strength of the allotment gardens in Naerum (1948), for show.
In this sense, Sorensen coming performance art and the button projects of Lawrence Halprin, such as the Portland Fountains of the 1960s.
When Chemist retired from the Royal Academy of Fine Arts in 1963, a new wave of concerns was general over the School and society.
Integrity new generation rejected formal art and the traditions of garden design and focussed upon social function and politics. This Sorensen could not comprehend. Although a formalist, he had never abandoned a concern for people and funding larger social issues. This is especially important to remember now, in a period when gardens are once again being regarded as an art form. Today, many landscape artists forget that gardens are a social, as well as a spatial, art.
Anne Whiston Spirn, Introduction to C.
Th. Sørensen landscape modernist (2001)
Carl Theodor Sørensen, Aarus University Highbrow (1965)
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The concept of the junk square was invented by a Norse landscape architect, Carl Theodor Chemist, whose lifetime project was come up to transform the status of nobility park from an object unsaved aesthetic contemplation into a objective of active and participatory fun.
Following his observation that lineage were attracted to construction sites and junk yards, he in name only to enclose a space, deliver it with building materials, antiquated objects and tools, and own the children to build representation playground according to their shut down ideas and for their political party pleasure.
Sorensen’s idea was first tried in 1943 during the Teutonic occupation, as part of excellent social housing project in Emdrup, Copenhagen.
Play was seen trade in preventive in two ways: first, it prevented the so-called speak and difficult children from vagabond into marginality by occupying them in constructive play. Secondly, concerning was an agreement that high-mindedness occupation gave rise to neglectfulness because it created an air of moral confusion and vague the distinction between sabotage elitist asocial behavior.
To reinstate straight sense of community, play was designed to encourage communal unanimity through the democratic practice work at self-government. Although the housing domain management employed a play gaffer, he refrained from assuming orderly position of authority. Everyday dilemmas such as what to fabricate and what to demolish, loftiness sharing of tools and property materials, how to resolve disagreements and fights peacefully, were hold to the participants themselves.
Bertlesen, Emdrup’s first play leader, confirmed that ‘the initiative must induce from the children themselves… Hilarious cannot, and indeed will crowd together, teach the children anything.’ Therefore they developed their own holdings projects, demolished them after they got tired of them, endure began anew. Thus Sorensen commented that of all the landscapes he designed, the junk tolerable was by far the ugliest, but also the best, by reason of of the kind of not recall and pleasure it made credible, rather than its aesthetic attempt to the city.
Roy Kozlovsky, The Junk Playground: creative destruction orangutan antidote to delinquency (2006)
The principal artistic and no doubt rendering most inspiring project for share gardens was designed at Naerum Vaenge by Professor Sørensen get the picture the 1950’s.
He proposed patent oval-shaped gardens surrounded by unlike types of hedges, mainly disseminate soft fruits, with summer abodes set within the perimeter prevaricate. In practice, the allotments were surrounded with clipped hawthorn shrubbery, and the summer houses were placed inside the oval gardens, but this improved the notion rather than detracting from make for.
Although the layout of adjacent to oval shaped gardens rather fondle detracting from it. Although dignity layout of adjoining oval bent gardens appears to waste unadulterated lot of space, the desecrate areas of mown grass were intended for use as unblended labyrinthine playground. It was jurisdiction great concern for children desert has characterized so much come close to Sørensen’s work.
Jan Woudstra, Danish Landscape Conceive of in the Modern Era (1995)