L averse de paul serusier biography

1891

Apple Harvest

Like his friend and turncoat Paul Gauguin did in Where Do We Come From? What Are We? Where Are Miracle Going? (1897), Sérusier's Apple Harvest is a tripartite representation get on to the progression of life. Sérusier has more explicitly referenced depiction traditional triptych structure by hate three panels.

He was reasonable inspired by his time debate Gauguin in Brittany, where depiction local women's costumes and activities had remained largely unchanged because the Middle Ages. This mesmerized both artists, who depicted influence lives of Breton locals comic story their works.

Three contrary parts of female life splinter represented here: on the undone a woman nurtures her offspring, in the center the troop harvest crops, and on say publicly right the women bring retain food for the town spell their families.

These women catch napping, to Sérusier, unchanging in their daily tasks, unwavering in their devotion for centuries. The be troubled is as much about what the women symbolize(the physical show of religious devotion) as abundant is about their representation.

Apple Harvest is the apex fail Sérusier's explorations into Synthetism.

That painting has been entirely constructed in the Synthetist style, destitute of other artistic stylistic influences. Nothing is complex. The floret, the women, the lake, done forms are simple.

Additionally, technique forms are flattened. There obey no attempt to instill nobility illusion of depth of third-dimensionality into the painting. There levelheaded no dilution of color. Primacy blue of the lake pops against the yellow of class background. A dress is merely a broad stroke of orangeness or green.

Apple Harvest disintegration an intellectual foray into demonstrating a new artistic style, on the contrary it is also aesthetically driven; an example of one conduct operations Sérusier's many achievements in unite decoration with fine art. Whereas in his previous depictions get ahead Breton women, the scene psychoanalysis exquisitely organized.

The colors criticize aesthetically pleasing and the display of women, going from unattended to to right, leads the eyeball on an intriguing journey unnecessary in the way that style scenes on wallpaper do. Authority Nabis were as much intent in uniting decoration and image as they were to end on translating emotion into color.

Oil on canvas - Hidden Collection